- Special Pages
Los Angeles: It was the hangar which incubated Howard Hughes’s aviation dreams, each aircraft model more fanciful than the last, and half a century later it is the launchpad for another striking ambition: a new generation of slicker, better YouTube videos.
The video-sharing website has converted the 3800 square metre Los Angeles complex into a state-of-the-art digital production hub to catapult selected creators into another league of quality video making.
Where engineers once made helicopters and the Spruce Goose airplane for its reclusive tycoon owner, camera crews, lighting technicians and editors are now producing and polishing videos for YouTube creators who previously worked out of bedrooms and garages.
“I think it’s a turning point for people to be able to make real shows on YouTube,” said Felicia Day, producer and co-creator of the the Geek & Sundry YouTube channel, who has become one of the first to use the complex. “I think the next Spielberg or Hitchcock will be discovered somewhere like this. It’s an amazing platform.”
The complex YouTube calls Space is tucked on a quiet street between Los Angeles international airport and a wildlife reserve. A small red helicopter, a Hughes 269A, marks the entrance, a homage to the site’s previous owner. When it formally opens next month it will give free access to dozens of selected creators each quarter, with YouTube, which is owned by Google, picking up the reported $25m annual tab.
YouTube receives around 4bn hits per month, a staggering amount, but viral hits such as kittens climbing walls draw viewers for just a few seconds or minutes, which is not much time for advertising and not, in the long run, a sustainable commercial model.
The company hopes improved production values and storytelling skills will hook viewers for longer, underlining Silicon Valley’s increasingly bold push into the entertainment industry.
“There is a correlation between watch-time and quality,” said Liam Collins, 40, head of the complex. Google opened similar but much smaller “Spaces” at offices in New York and London earlier this year. One in Asia is due next year.
The goal was to improve quality, said Collins, be it webcam monologues in badly lit bedrooms to sophisticated shows which already had big followings. “We like to think that they’ll come here with 70 percent of what they need to be successful, and we’ll supply the 30 percent. We want people to be more ambitious, to realise their potential.”
YouTube has given early access to a few creators in recent weeks, including Day and her co-producer Kim Evey. It was thrilling to film their new web musical, Learning Town, with professional equipment, green screen stages and screening facilities, said Evey. “When we walked in for the first time it was like a wonderland.”
Instead of the usual “frenetic” rhythm of guerrilla-style filmmaking they could focus and polish, said Day. “This gives us the means for higher production values. Before it was who could we beg to use their backyard, or borrow baby toys.”
Dozens have applied for the first places which open in January, followed three months later by another batch. Each applicant must already have a YouTube channel, certain resources (such as time), and a predisposition to collaborate with other creators. Guardian News